Red ochre Australian landscape
Samsung Galaxy S8 Sydney Harbour
Sculpture by the Sea Bondi
Lamborghini motorsport livery

Australian Art · Object · Landscape · Experience

Ochre
Weld Studio

An artist-led cultural studio creating objects, installations, spatial works and experiences rooted in Australian art, landscape and storytelling.

Commission Work The Long Game

"Ochre Weld Studio designs and builds Australian cultural destinations, brand experiences and immersive environments — where art, story, material and place come together."

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The Mission

The precision your brief needs,
the depth only artists bring.

A cultural studio. With a long ambition.

"Two working artists. One workshop. No handover between the idea and what opens."

OCHRE WELD Studio begins with two forces. Ochre — the oldest pigment on earth, the first human mark, the colour of Australian country. Weld — the permanent joining of two things through heat and pressure until the seam becomes the strength.

Nick Leary's thirty years of shaping visual narratives that make brands felt — not just seen, fused with Dr Jason Christopher's three decades designing and building at the edge of what fabrication can achieve.

The studio works across two tracks simultaneously. Commercial commissions — brand experiences, spatial work, cultural installations for luxury, property, tourism and retail clients — deliver the capability and revenue that fund a larger ambition. That ambition is the creation of a new Australian cultural destination: a place where art, landscape, object, story and experience converge. The commercial work is where it starts.

Samsung Galaxy S8 brand activation Sydney Harbour

Samsung Galaxy S8 · Projecting Sydney Harbour and Melbourne City landmarks to Gillette · Brand Activation

For Brands

We build brand experiences
people carry with them.

OWS works with luxury, property, retail, tourism and cultural brands on activations, installations and spatial commissions. The same hands that built for Hollywood blockbusters and the Biennale of Sydney build your activation. No handover. No translation loss. The idea arrives intact.

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Brand & Cultural

Immersive activations, retail installations, cultural builds, spatial narratives for luxury property and destination brands.

Industrial & Object

Sculptural objects, furniture-adjacent works, lighting and public installations. Designed the Smartpole system — civic lighting infrastructure rolled out through the City of Sydney, nationally and internationally.

Film & Campaign

Photographic campaigns, documentary film, artist books, exhibition catalogues. Work that outlives any single activation.

Nick Leary and Jason Christopher

The People

Two founders.
Both working artists.

Most studios separate creative and production. Ochre Weld does not. Nick and Jason have each spent more than three decades developing a practice at the highest level — and have chosen to work together because the combination produces something neither could create alone.

You are not hiring a service.
You are commissioning two artists.

Visual Author · Creative Director · Artist

Nick Leary

"Nick Leary's creative direction does not arrive as a strategy document. It arrives as a feeling — in a frame, in a colour temperature, in the way a person stands in a landscape. A Paspaley campaign does not need a caption. A Hamilton Island film does not need a voiceover. The image does the work."

Nick Leary is a Visual Author. That distinction matters. He doesn't photograph brands — he authors their visual voice. Thirty years developing a visual language that bypasses explanation and goes directly to emotion. The same uncompromising eye applied to fine art, luxury campaigns, film, and now physical space.

His practice rests on four qualities most creative directors have one or two of: cinematic storytelling, a deep personal commitment to Australian identity, film-grade craft, and — most importantly — the refusal to make work that is beautiful but hollow. The Paspaley campaigns feel like desire. Hamilton Island feels like a memory. That feeling is not accidental. It is the product.

Nick Leary on set

Brand: Vogue · GQ · Armani · Calvin Klein · Moët Hennessy · King Living · Paspaley Pearls · R.M. Williams · Woolmark · Mercedes · Volvo · Cate Blanchett · Hugh Jackman

Property & Tourism: Hamilton Island · One Circular Quay ($2B) · Glasshouse · The Landmark · The Jewel · The Revy

Fine Art & Books: Wild Brumbies of Australia · Australian Style series · Glasshouse · Brumby · The Soul of Titjikala · Sotheby's · Macquarie Bank

Practice: The Aesthetic Creative · Spacenow Creative Director · Co-founder, OCHRE WELD Studio

Artist · Designer · Fabricator

Dr. Jason Christopher

"Three decades designing, creating and building things at the edge of what is physically possible. His practice moves between film production, gallery art, architecture and brand builds — the instinct is always the same: understand what an object means and build from there."

When Hollywood films needed physical builds that could withstand the scrutiny of a camera at close range, they called Jason. When Samsung needed a brand installation at architectural scale, they called Jason. When Torres Strait elder Dr Ken Thaiday Snr wanted to cross-culturally collaborate — enabling his ancient ceremonial objects to be reimagined and automated — he trusted Jason. That trust is not given to operators. It is given to artists who understand what things mean to the people they belong to.

The studio's Banksmeadow, Sydney workshop runs CNC, commercial 3D printing, and custom fabrication in-house. The person who reads your brief is the person who builds your activation.

Jason Christopher — Sculpture by the Sea, Bondi

Film Production: The Fall Guy · Shang-Chi · Pacific Rim · The Matrix · Star Wars Episode II · Many more feature films

Global Brands: Xbox · Microsoft · Samsung · Lamborghini (Livery design voted top 10 in motor sport racing) · Canon · ING · National Geographic

Fine Art: Sculpture by the Sea — Bondi Beach and Cottesloe · Wynne Prize finalist · 20th Biennale of Sydney · Many other artist awards

Cultural Works: Dr Ken Thaiday Snr — Biennale of Sydney 2016 · Oceanographic Museum of Monaco 2017 · 400,000+ people · National Gallery of Australia · MAAS Powerhouse Museum · Australian Museum

Workshop: Banksmeadow, Sydney · CNC · Commercial 3D printing · Custom fabrication · In-house, end to end

Brumby — Australian wild horses

The Cultural Proposition

the belief that runs beneath the work

Not an argument.
A romance.
The wild of this place.

Nick and Jason don't set out to make a point about Australia. They set out to feel it — and to understand the people who belong to it.

The hum of a city. The pearl beds of the Kimberley. A structure taking shape in a workshop before it ever meets the world.

They don't separate landscape from object, or idea from execution. The same instinct that reads a place is the one that shapes what is built within it.

That is why the work carries weight. That is why it stays with people.

The Romance

Nick's instinct is to find the feeling before the meaning. Three decades of work that moves people because it comes from a genuine connection to this country — its places, its stories, and the people who live within them. That is what brands like Paspaley return for. Not execution. The feeling that can't be briefed. You can't import it. You can't manufacture it. It either comes from somewhere real — or it doesn't come at all.

The Evolution

Jason's instinct is to find beauty in transformation — where idea becomes object, and object becomes experience. Three decades working across film, architecture, art, and fabrication — not because the categories are related, but because the instinct is the same: to understand what something is, and build it truthfully.

Not interpretation. Not decoration. Evolution.

The Shared Instinct

The refusal to make work that is beautiful but hollow. Nick brings it to every experience. Jason brings it to every object. An Ochre Weld activation should feel like something the audience carries with them long after the doors close. That is the only standard we work to.

This is what Australia feels like right now — wild, becoming, impossibly beautiful. Every brief we take starts here. Because the same instinct that finds the romance in a place finds it in a person, a product, a moment. That's what moves people. That's what we make.

Wild Brumby · A fine art series by Nick Leary

Australian identity in silver and grain

Selected Work

Selected work.
Extraordinary results.

Work built to the highest standard — concept, fabrication and install, all under one roof. Every project a proof of what the studio can do.

01

Hero Installations & Sculptural Centrepieces

Large-format sculptural, kinetic and architectural builds. The statement pieces that define a space, a brand moment or a cultural event. Designed and built in-house from first sketch to opening night.

02

Modular Touring Environments

Self-contained environments engineered to travel. Multi-city brand activations, touring exhibitions and experiential builds that arrive, install and decommission without compromise.

03

Hero Props & Presentation Pieces

Camera-ready props, presentation objects and display pieces built to withstand the scrutiny of a 4K close-up. Work that has appeared in global blockbusters, on international stages, and at the centre of major brand campaigns.

04

Brand Activations & Experiential Builds

Full-service brand experiences, concept through fabrication through install. The same vision that imagines the experience builds it. One team, no handover, the idea arrives intact.

05

Architectural-Grade Custom Elements

Structural, engineered, bespoke. Elements built to architectural tolerance for luxury property, cultural institutions and permanent installations. Not props — objects that outlast the brief.

06

Cultural & Gallery-Scale Installations

Biennale of Sydney. National Gallery of Australia. Oceanographic Museum of Monaco. Work that operates at institutional scale with the care and precision of fine art practice.

07

Brand Storytelling Visuals

Photographic direction and film applied to brand campaigns, destination films and editorial. Imagery rooted in Australian landscape and identity. The image that does the work a caption never could.

08

End-to-End Production · In-House Team

Concept, engineering, fabrication, install — one studio, one conversation. The people who read your brief are the people who build it. Nothing is handed off. Nothing is lost.

09

Design & Spatial Environments

Concept-to-completion spatial design for hospitality, cultural and destination projects. Environments that need to be both designed and built — from intimate interiors to civic-scale public spaces — under one creative roof.

How We Work

One vision. One studio.
Nothing lost in translation.

The creative vision stays in the room. Nick and Jason are across every project from concept to install.

Workshop fabrication Jason Christopher welding Nick Leary directing

01 Discover

Brand Immersion

We find the truth in the brand — not the brief, but the feeling beneath it. What actually moves your audience. What you want them to carry with them after.

02 Concept

Creative Direction

Nick leads the spatial, emotional, and experiential direction. The creative concept comes from Nick and Jason's genuine point of view — not a template. You approve. No committee rounds.

03 Design

Engineering & 3D

Jason translates vision into production-ready drawings. No interpretation loss. No drop in quality between what was imagined and what gets built.

04 Build

Fabrication

In-house. CNC, 3D printing, custom fabrication at Banksmeadow Studio. The people who conceived it are building it. Quality compounds.

05

Install & Deliver

We transport, install and manage from opening to close. You arrive at opening night to something finished — exactly as conceived. No surprises.

A place in the Australian landscape

The Long Game

The destination.
A long ambition.

Ochre Weld Studio is being built as more than a commercial studio. The selected work funds a longer ambition — one that takes time, relationships and the right partners to realise. The nature of that ambition is shared under separate conversation.

Now

Commercial Foundation

Selected commissions — brand, spatial, cultural — build income, capability and relationships. Every project assessed against one question: does this move us closer to the cultural mission?

Building

Owned Works & Cultural Proof

OWS-owned objects, installations, exhibitions and publications. The body of work that proves the practice is more than service work — and attracts the partners and institutions the mission requires.

The Vision

A Cultural Destination

A physical place in the Australian landscape. The shape of that place, and the path to it, is the subject of a separate and more detailed conversation — one that begins with a shared understanding of what we are building toward.

The Longer View

A cultural ambition
worth a longer conversation.

The studio has a long-term cultural ambition that sits behind the commercial work — Ochre Weld is actively seeking relationships with organisations who understand the long value of cultural investment. We are at the stage where the most important decisions, and the most significant opportunities, are still ahead.

I

Investment Partners

Individuals and organisations looking to invest in the development of a long-term Australian cultural asset. The opportunity is at foundation stage — the highest-risk, highest-return moment in any cultural destination's lifecycle. We are looking for partners who think in decades, not quarters.

II

Government & Councils

State, territory, and local government bodies seeking to develop cultural infrastructure with genuine artistic authority. OWS offers the rare combination of established creative credentials and a scalable cultural vision — exactly the kind of project that defines a region's cultural identity for generations.

III

Cultural Institutions

Galleries, museums, arts organisations, tourism bodies, and Australian cultural institutions interested in early partnership with a practice already operating at institutional scale. The conversation is open. The direction is set.

The Studio

Where ideas stop
being hypothetical.

Ochre Weld Studio is a design-led fabrication studio built for the worlds of film, entertainment, and high-impact brand storytelling — the places where imagination must survive the brutal realities of production, scale, and time.

For more than two decades, the team has operated at the intersection of industrial design, sculptural artistry, and cinematic fabrication — delivering work that must not only look extraordinary but perform flawlessly under pressure.

Three things simultaneously

Protect the creative

We translate ambitious concepts into engineered realities without diluting the vision. No interpretation loss. No compromise disguised as practicality.

Build at cinematic fidelity

The workshop produces objects, environments, and sculptural forms that hold up under the scrutiny of a 4K close-up — or the scale of a global activation.

Deliver at production speed

Film and brand timelines are unforgiving. In-house CNC, commercial 3D printing, and modular fabrication systems move from sketch to physical build with precision and velocity.

What We Make

Hero props & sculptural centrepieces

Large-scale installations & immersive environments

Brand activations & experiential builds

Architectural-grade custom elements

Creature, character & SFX fabrication

Modular touring pieces for global campaigns

High-fidelity prototypes & presentation models

If it needs to be designed, built, transported, installed and trusted — we do it.

Design → Engineer → Fabricate → Install

All under one roof. Nick sets the creative and spatial direction; Jason and the team translate it in SolidWorks, ZBrush, and production-ready CAD — every concept born with its manufacturing logic intact. From there, the Banksmeadow workshop handles the full build: CNC machining, composite work, sculptural modelling, finishing, and on-site installation.

You bring the ambition. Ochre Weld brings the idea, the design, and the build — one team, one roof, nothing lost along the way.
Ochre cracked earth — Australian landscape

Contact

It starts with
a conversation.

For brand commissions, cultural installations and long-term partnerships alike. No brief required — tell us what you want to build.

Every project is scoped to what it actually needs — a single object or a multi-city activation, a one-off commission or an ongoing partnership.
Every enquiry starts with a conversation. Get in touch, and we'll arrange a time to talk through what you need.

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